Raat Akeli Hai: a classic whodunnit with a Poirot-style cop
Whodunnit murder
mysteries – is a genre which has been a favorite of story tellers and audiences
since ages. Our minds immediately associate this with Sherlock Holmes, Perry
Mason or Hercule Poirot. Despite watching and reading a lot on this subject, it
continues to evoke interest. A plot where a murder happens and a detective
investigates to find the killer – that’s how simple the basic premise of stories
in this segment are usually. What makes it work is that it does not turn out to
be as simple as it seems and far more interesting than it sounds.
Streaming now on
Netflix, is one such story, where an inspector investigates a patriarch’s death
after a family gathering gone wrong. No, I am not talking about Knives Out, another
brilliant movie starring Daniel Craig with a similar plot. I am describing the
plot of Raat Akeli Hai, starring Nawazuddin Siddiqui who plays an
inspector investing the murder of an influential person in a small town in UP. The
victim is murdered in his haveli where his family has gathered for his second
wedding. The family members have their own dark secrets which unravel along
with the investigation. Set in Uttar Pradesh, this is a male-dominated
society where even women discriminate against other women in favor of men.
The style of this
whodunit is very classic in nature, in a sense that it focuses on the
investigation with limited parallel developments. We see this world from the
perspective of Inspector Jatil Yadav (Nawazuddin) - a typo in a school
certificate leads to his name changing from Jatin to Jatil. Inspector Jatil is a
middle-aged unmarried man looking for his perfect bride. He says on the
contrary but clearly values outer appearances in his prospective bride and his
own. He applies a fairness cream and does not prefer noodles as one does not
look very aesthetic while eating it. His character is more Hercule Poirot and
less Sherlock Holmes. Like Poirot, he relies on his intuition and assessment of
people’s characters equally along with the hard evidence.
As we have now come
to expect, Nawazuddin puts in another good performance – what we don’t expect
though is him playing a cop on the right side of the law. But given his
pedigree, he plays his role effortlessly. Radhika Apte’s character is the
mistress turned newly wedded wife of the victim, giving us that character in
such mysteries who like the obvious killer. She compliments Nawazuddin well with
a good performance. Her accent seems authentic and performance genuine.
It’s the directorial
debut of Honey Trehan who has been a casting director for movies which have had
some of the finest ensemble cast such Maqbool, Omkara, Kaminey and Hindi
Medium. Given this, it is no surprise that we have some fine actors casted
in supporting roles. You see familiar faces who fit in perfectly. Ila Arun, in
a short role, plays mother to inspector Jatil worried that he would never find
a bride he feels is good enough. Tigmanshu Dhulia and Aditya Srivastava play
pivotal roles as the SSP and local politician respectively.
This is a murder
mystery where the audience is not privy to all information available to the
investigative officers. We get montages with background music during some key
interrogations. It, thus, does not expect its audiences to be able to guess the
culprit Also, there are some contrived developments as well. However, these are
minor distractions to what is otherwise a good screenplay. The visuals, as the
name of the movie suggests, are largely set in dark but are still vibrant. This
is another one of those movies (adding to the list of recently released web shows)
where the essence of rural India is captured effectively.
Bollywood does not
churn out too many ‘closed circle’ mysteries with the perpetrator one among
from a limited number of suspects. Raat Akeli Hai makes an effort to set
the record straight on that front. Although a slow burn, it does a good job
while it is at it.
Twitter: @parthshah2403
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